1 00:01:02,570 --> 00:01:03,730 Do you have the painting? 2 00:01:05,530 --> 00:01:07,910 I stole the van. 3 00:01:08,710 --> 00:01:09,710 It was in the back. 4 00:01:11,810 --> 00:01:14,550 My only concern is that we do business properly. 5 00:01:20,410 --> 00:01:22,350 Now tell me, is the painting here? 6 00:01:22,870 --> 00:01:24,150 No. No. 7 00:01:24,450 --> 00:01:28,390 Then you are wasting my time. Well, it's not far from here. We can go and get 8 00:01:28,390 --> 00:01:29,390 it. 9 00:01:30,950 --> 00:01:31,950 Mr... 10 00:01:34,670 --> 00:01:40,250 Mr. Bryant, before we take another step together, you must prove to me that the 11 00:01:40,250 --> 00:01:41,530 painting is in your possession. 12 00:01:41,910 --> 00:01:42,910 How? 13 00:01:43,570 --> 00:01:48,070 You place a newspaper next to the painting with the front page and the 14 00:01:48,070 --> 00:01:52,490 clearly displayed. We'll then take a photograph of the painting and the 15 00:01:52,490 --> 00:01:53,490 newspaper together. 16 00:01:53,910 --> 00:01:56,230 You will send the photograph to this address. 17 00:02:04,140 --> 00:02:05,140 Fifty grand. 18 00:02:06,400 --> 00:02:08,900 Two grand or I'll burn the painting. 19 00:02:18,280 --> 00:02:21,460 Prove to me that you have the picture, then we will discuss the price. 20 00:02:25,480 --> 00:02:26,480 W .A .K. 21 00:02:26,500 --> 00:02:27,500 Please. 22 00:02:42,800 --> 00:02:44,500 Think you're so clever, don't you? 23 00:02:44,820 --> 00:02:46,700 Think you're so beaten up? 24 00:03:24,200 --> 00:03:25,200 Everything's all right. 25 00:03:25,320 --> 00:03:27,620 Don't be afraid. I'll show you the way out. Follow me. 26 00:03:33,240 --> 00:03:34,240 Hello? 27 00:03:41,820 --> 00:03:42,820 Look, 28 00:03:43,920 --> 00:03:44,980 we're on our way. 29 00:03:46,160 --> 00:03:47,160 Where are we on our way to? 30 00:03:47,320 --> 00:03:48,320 Oh. 31 00:03:50,580 --> 00:03:52,060 No, I... I don't know. 32 00:03:55,210 --> 00:03:56,210 So bloody selfish. 33 00:03:57,870 --> 00:03:59,530 Never have a thought for anyone else. 34 00:04:01,050 --> 00:04:03,170 I mean, where are they to send these photographs to? 35 00:04:03,950 --> 00:04:04,950 What do you mean? 36 00:04:05,150 --> 00:04:07,170 I mean, what address have you given them? 37 00:04:07,770 --> 00:04:10,030 Well, not here, if that's what you're worried about. 38 00:04:10,250 --> 00:04:11,250 You haven't given them yours. 39 00:04:12,750 --> 00:04:14,390 You know, Susie, you always say that. 40 00:04:14,610 --> 00:04:16,870 Whenever I try and do something, you call me selfish. 41 00:04:19,820 --> 00:04:23,160 I'm nearly 50 years old and what have I got for all these years and years and 42 00:04:23,160 --> 00:04:26,160 years of selfishness? Apart from a great many engagement rings. 43 00:04:26,400 --> 00:04:29,480 Most of those went down some bloody drain. Yeah, along with mothers. 44 00:04:29,740 --> 00:04:32,960 I've got no career, I've got no money, I've got no home, I've got no family. 45 00:04:33,240 --> 00:04:34,240 Well, that's your choice. 46 00:04:34,660 --> 00:04:39,460 You choose not to work and you are so bourgeois. It's just your choice. And 47 00:04:39,460 --> 00:04:42,260 you're turning into your father, you're middle class and boring. That man 48 00:04:42,260 --> 00:04:45,400 brought you up, Maggie. It doesn't make him any less middle class or boring, 49 00:04:45,460 --> 00:04:46,119 does it? 50 00:04:46,120 --> 00:04:49,920 You've always, always, always got people running around and doing things for 51 00:04:49,920 --> 00:04:52,080 you, and now you've got Oliver eating out of the palm of your hand. 52 00:04:52,340 --> 00:04:54,360 Now, there's a horrible thought. Thank you. 53 00:04:54,940 --> 00:04:56,360 Anyway, don't hear Oliver complaining. 54 00:04:56,740 --> 00:04:57,840 I can't get a bloody word in. 55 00:04:58,980 --> 00:05:00,120 You want to complain, Oliver? 56 00:05:00,620 --> 00:05:02,680 Well, go ahead, honey. Now's your chance. 57 00:05:03,080 --> 00:05:04,080 Complain. 58 00:05:05,100 --> 00:05:06,160 I haven't got anything to say. 59 00:05:06,620 --> 00:05:07,620 No, not. 60 00:05:09,940 --> 00:05:11,540 Oliver, call me a cab, would you? 61 00:05:11,940 --> 00:05:12,940 I'll take you home. 62 00:05:19,850 --> 00:05:20,850 What is it? 63 00:05:21,570 --> 00:05:25,330 One of them took my cigarette case. Oh, Maggie. 64 00:05:25,570 --> 00:05:26,570 It's all right. 65 00:05:26,610 --> 00:05:27,750 It's all right. It doesn't matter. 66 00:05:28,070 --> 00:05:29,070 It's unimportant. 67 00:05:33,910 --> 00:05:34,390 Let 68 00:05:34,390 --> 00:05:41,470 me 69 00:05:41,470 --> 00:05:42,449 know if Seb calls. 70 00:05:42,450 --> 00:05:45,590 Yeah. I expect he's gone to a hotel somewhere. 71 00:05:55,280 --> 00:05:56,280 All right. 72 00:06:03,680 --> 00:06:04,680 All right. 73 00:06:53,039 --> 00:06:54,980 I'm very intrigued to know what you will discover. 74 00:06:56,740 --> 00:06:57,740 Is she real? 75 00:06:58,300 --> 00:06:59,440 Or is she a fake? 76 00:07:00,980 --> 00:07:03,580 I shall be in London for the sale of old masters next week. 77 00:07:04,480 --> 00:07:05,480 Will I see you there? 78 00:07:30,850 --> 00:07:31,850 Hmm. 79 00:07:32,250 --> 00:07:33,250 Hmm. 80 00:09:27,500 --> 00:09:28,500 Will you have him, Sebastian? 81 00:09:29,080 --> 00:09:30,080 No. 82 00:09:31,340 --> 00:09:32,520 I have some news. 83 00:09:34,140 --> 00:09:35,780 You know you're not supposed to be here. 84 00:09:36,000 --> 00:09:38,480 Yeah, but I really do have some news. 85 00:09:38,800 --> 00:09:42,100 Look, I went to get Bentham this morning to tear him off a strip about last 86 00:09:42,100 --> 00:09:43,780 night. Oh, fearless one. 87 00:09:44,000 --> 00:09:45,280 He showed me the Countess of Sussex. 88 00:09:46,180 --> 00:09:49,440 He discovered a collector's mark on the bottom right -hand corner. Not just any 89 00:09:49,440 --> 00:09:50,440 collector's mark, either. 90 00:09:51,580 --> 00:09:55,260 The style of the inscription suggests the collection of Philip Lord Wharton. 91 00:09:56,040 --> 00:10:02,680 who once owned 22 portraits by Van Dyke, including the long -lost Countess of 92 00:10:02,680 --> 00:10:05,780 Sussex. Oh, Jesus, I've had my moment for nothing! 93 00:10:06,580 --> 00:10:07,580 You're brilliant! 94 00:10:07,740 --> 00:10:09,700 You know, I thought in New York I was an asswipe. 95 00:10:10,140 --> 00:10:11,780 Oh, no, I was overawed. 96 00:10:12,040 --> 00:10:18,000 Forgive me. You know, Robert Tati has offered me $150 ,000 for that painting. 97 00:10:19,420 --> 00:10:23,160 Christ! You don't tell me that. I said we'd discuss it. He'll be in London next 98 00:10:23,160 --> 00:10:26,800 week. Listen, whatever we get for it, I want to make sure that Sebastian's debt 99 00:10:26,800 --> 00:10:27,799 is paid. 100 00:10:27,800 --> 00:10:31,920 Anything above and beyond that is yours. Don't want a penny. I just want to pay 101 00:10:31,920 --> 00:10:32,920 what's their bonus. 102 00:10:33,620 --> 00:10:34,620 No, I don't think that's fair. 103 00:10:35,020 --> 00:10:36,760 Oliver. I don't think we should split it 50 -50. 104 00:10:37,600 --> 00:10:40,240 That way you get enough money to buy back the Glen Creek painting as well. 105 00:10:46,680 --> 00:10:47,680 Hello? 106 00:11:13,600 --> 00:11:15,000 What is it what's the matter? 107 00:11:29,469 --> 00:11:31,130 He's still in surgery. Oh, God. 108 00:11:32,530 --> 00:11:33,710 How did they find him? 109 00:11:34,070 --> 00:11:38,030 Well, the police here, they've had an anonymous phone call from someone. 110 00:11:40,530 --> 00:11:41,770 Where were you when I called? 111 00:11:42,010 --> 00:11:44,090 Huh? I thought you'd given up smoking. 112 00:11:44,430 --> 00:11:46,190 I thought you'd given up sleeping around. 113 00:11:47,750 --> 00:11:48,790 I was with Maggie. 114 00:11:50,530 --> 00:11:54,570 He owes money to a man called Michael Longley in Dublin. He's a very dangerous 115 00:11:54,570 --> 00:11:55,570 man. 116 00:11:56,130 --> 00:11:57,850 They're gambling debts. 117 00:12:00,300 --> 00:12:04,360 He must have someone in the room with him 24 hours a day. Talk to a detective 118 00:12:04,360 --> 00:12:06,240 Dublin called Fagan, D .S. Fagan. 119 00:12:07,240 --> 00:12:08,440 He needs protection. 120 00:12:22,400 --> 00:12:27,380 Look, I know one of your boys killed Sir Charles Stafford. 121 00:12:28,880 --> 00:12:31,480 I know you were behind the attack on Sebastian Stafford. 122 00:12:42,240 --> 00:12:43,460 You're not going to say anything, are you? 123 00:12:49,480 --> 00:12:51,920 You're just going to sit there like the lump of shite you are. 124 00:13:27,370 --> 00:13:28,850 You can see Mr. Stafford now. 125 00:13:43,110 --> 00:13:46,030 Oh, Seb. 126 00:13:47,090 --> 00:13:49,210 It took things from me. 127 00:13:50,150 --> 00:13:51,750 It doesn't matter, darling. 128 00:14:00,560 --> 00:14:01,920 No one's going to hurt you. 129 00:14:08,180 --> 00:14:10,120 We should never have got involved in all this. 130 00:14:12,540 --> 00:14:15,320 Sebastian will be killed if they don't get their money back. 131 00:14:15,560 --> 00:14:17,640 Then we should just let the police handle it. No. 132 00:14:19,000 --> 00:14:20,120 I can't. 133 00:14:21,300 --> 00:14:22,300 Can't or won't? 134 00:14:25,320 --> 00:14:26,480 You're performing, Maggie. 135 00:14:27,740 --> 00:14:29,120 You're playing a part in it. 136 00:14:42,380 --> 00:14:43,380 You can go. 137 00:14:52,540 --> 00:14:53,540 Owen. 138 00:14:54,880 --> 00:14:56,060 I know where you live. 139 00:15:01,340 --> 00:15:03,820 You know, I was in a room like the one that Sebastian's in. 140 00:15:06,240 --> 00:15:07,380 Couldn't believe I was alive. 141 00:15:09,390 --> 00:15:12,970 I remember thinking, there must be some reason for this, some reason why I'm 142 00:15:12,970 --> 00:15:13,970 alive. 143 00:15:15,670 --> 00:15:18,150 I honestly believe that this is the reason. 144 00:15:19,570 --> 00:15:20,570 This. 145 00:15:20,990 --> 00:15:22,110 What I'm doing now. 146 00:16:57,580 --> 00:16:58,580 Don't be scared. 147 00:17:00,280 --> 00:17:01,700 If I get angry, that's all. 148 00:17:02,680 --> 00:17:03,680 Won't happen again. 149 00:17:05,440 --> 00:17:06,440 There's your photos. 150 00:17:09,060 --> 00:17:10,280 I'll see meself out. 151 00:19:09,290 --> 00:19:10,290 Look at her bracelet. 152 00:19:12,570 --> 00:19:19,230 If you compare it... ...to the one worn by the 153 00:19:19,230 --> 00:19:23,070 hippies, Judith... ...it's almost identical. 154 00:19:25,630 --> 00:19:28,750 Is that a woman with a bow and arrows? 155 00:19:29,430 --> 00:19:30,430 Diana? 156 00:19:31,790 --> 00:19:34,510 Artemis. Goddess at the hunt of the moon. 157 00:19:36,350 --> 00:19:37,350 Artemisia. 158 00:20:13,409 --> 00:20:15,830 How is the Countess? 159 00:20:17,390 --> 00:20:18,530 She's well. 160 00:20:20,370 --> 00:20:24,450 The restoration work has uncovered the collector's mark. 161 00:20:26,409 --> 00:20:27,890 Perhaps I should see her again. 162 00:20:43,030 --> 00:20:44,150 She has put on weight. 163 00:20:49,790 --> 00:20:51,130 Do you intend to let her go? 164 00:20:57,480 --> 00:21:00,800 She reveals herself, and you abandon her. 165 00:21:11,380 --> 00:21:12,420 What do you want, boy? 166 00:21:39,500 --> 00:21:40,500 It's not enough? 167 00:21:41,740 --> 00:21:45,100 The price reflects the urgency with which I need the money. 168 00:22:01,080 --> 00:22:03,300 When I was young, I thought I would be an artist. 169 00:22:05,060 --> 00:22:07,260 Every day, I drew and I sculpted. 170 00:22:08,270 --> 00:22:10,470 All my life was painting and painting. 171 00:22:12,050 --> 00:22:14,690 Other people's faces, their bodies. 172 00:22:16,670 --> 00:22:18,150 I learned how to see. 173 00:22:18,530 --> 00:22:20,750 I understood them, loved them. 174 00:22:22,830 --> 00:22:24,950 But I could not capture them. 175 00:22:26,990 --> 00:22:28,330 I liked the talent. 176 00:22:29,950 --> 00:22:32,670 So now instead I buy and sell them. 177 00:22:35,990 --> 00:22:37,090 Well, that... 178 00:22:37,570 --> 00:22:38,570 Is it Holland? 179 00:23:30,280 --> 00:23:32,680 You didn't think the William Tell outfit was a bit of a giveaway? 180 00:23:33,200 --> 00:23:35,900 It was the sheepskin jacket that first attracted me to it. 181 00:23:36,540 --> 00:23:37,540 Oh, God. 182 00:23:37,740 --> 00:23:38,740 Don't laugh. 183 00:23:38,780 --> 00:23:39,800 Oh, that is sore. 184 00:23:42,420 --> 00:23:43,420 Listen, Seb. 185 00:23:44,960 --> 00:23:48,300 I can't stay long. I've got to get on a plane for Dublin. 186 00:23:49,300 --> 00:23:50,300 Why? 187 00:23:51,540 --> 00:23:53,200 To pay off Longley. 188 00:23:53,460 --> 00:23:54,460 What? 189 00:23:54,560 --> 00:23:58,380 I bought a painting in New York. Well, all of it. It turned out to be quite 190 00:23:58,380 --> 00:23:59,380 valuable. 191 00:24:03,240 --> 00:24:06,520 I booked you into this hotel. 192 00:24:07,000 --> 00:24:08,000 Blackstone Hotel. 193 00:24:08,720 --> 00:24:12,000 Oliver will drive you down. You can rest up, get strong. 194 00:24:12,320 --> 00:24:14,880 How will you find Longley? I don't want you in any danger. 195 00:24:16,200 --> 00:24:17,780 I'll go to your dealer. Who is it? 196 00:24:34,380 --> 00:24:35,380 Aidan. 197 00:24:36,140 --> 00:24:37,580 I lied to you. I'm sorry. 198 00:24:37,900 --> 00:24:38,819 It's okay. 199 00:24:38,820 --> 00:24:39,940 I'm sorry. It's okay. 200 00:24:40,900 --> 00:24:42,400 They took things from me. 201 00:24:42,900 --> 00:24:43,920 From my bag. 202 00:24:44,740 --> 00:24:46,300 One of Charles' diaries. 203 00:24:47,040 --> 00:24:48,060 Notes I'd made. 204 00:24:49,020 --> 00:24:50,540 You know, I found some film. 205 00:24:50,900 --> 00:24:51,900 Home movies? 206 00:24:52,120 --> 00:24:53,500 Yeah. A film of the war. 207 00:24:53,740 --> 00:24:56,400 A film of my father in surprising company. 208 00:24:57,400 --> 00:24:58,660 What was the war? 209 00:24:59,200 --> 00:25:01,000 A rather attractive young man. 210 00:25:12,270 --> 00:25:15,810 Charles didn't buy the paintings. He was sent them by Antonio Corsa. 211 00:25:16,170 --> 00:25:19,290 Now, I looked at the dates the paintings arrived, checked back through his 212 00:25:19,290 --> 00:25:24,750 diaries. When Cecilia was killed in the crash, he was sent 213 00:25:24,750 --> 00:25:28,270 the martyrdom of St. Cecilia. 214 00:25:30,850 --> 00:25:37,790 When she was killed and he started drinking heavily, he 215 00:25:37,790 --> 00:25:39,070 was sent Drunken Silenus. 216 00:25:40,490 --> 00:25:42,150 The most recent was ten years ago. 217 00:25:42,610 --> 00:25:44,290 Thought we were doing up the lodge for you. 218 00:25:46,870 --> 00:25:47,970 The Magdalene. 219 00:25:50,550 --> 00:25:52,230 The penitent Magdalene. 220 00:25:59,090 --> 00:26:00,410 You wrote to Carlsson? 221 00:26:00,630 --> 00:26:01,630 No reply. 222 00:26:04,330 --> 00:26:07,370 If my father had a male lover... 223 00:26:08,460 --> 00:26:09,960 I put myself through such agony. 224 00:26:13,020 --> 00:26:14,440 Maybe you would have understood. 225 00:26:57,720 --> 00:26:59,060 Thank you very much. 226 00:27:34,960 --> 00:27:36,240 You lied to me, Hayden. 227 00:27:37,620 --> 00:27:41,260 You supplied Sebastian Stafford with drugs and you were a part of that 228 00:27:41,600 --> 00:27:42,599 That's not true. 229 00:27:42,600 --> 00:27:45,820 I had nothing to do with it. The police pulled me in. They let me go. If you lie 230 00:27:45,820 --> 00:27:49,040 to me one more time, I swear to you, I will have you done for dealing. I will 231 00:27:49,040 --> 00:27:52,220 personally stand up in court and say you supplied me with drugs. 232 00:27:54,340 --> 00:27:55,380 I helped set it up. 233 00:27:55,640 --> 00:27:56,640 And that's all. 234 00:28:07,850 --> 00:28:10,970 He wanted the place robbed and the canvases destroyed. 235 00:28:11,990 --> 00:28:14,330 Longley went for it because it was his way of getting his money back. 236 00:28:14,750 --> 00:28:15,850 He needs that money. 237 00:28:16,410 --> 00:28:20,390 I had no idea they'd come that night, that it would end like that. 238 00:28:21,570 --> 00:28:23,030 But no one had ever been there. 239 00:28:23,770 --> 00:28:24,930 Destroy the canvases? 240 00:28:25,310 --> 00:28:26,310 No, it's the deal. 241 00:28:26,790 --> 00:28:27,790 Don't ask me why. 242 00:28:29,330 --> 00:28:30,550 We're busy in here. 243 00:28:31,570 --> 00:28:32,570 It is. 244 00:28:33,790 --> 00:28:35,670 Longley's two wives found out about each other. 245 00:28:44,520 --> 00:28:45,520 Come for you to return. 246 00:28:46,980 --> 00:28:50,440 This is the key to locker number 18 in Dublin Station. 247 00:28:51,180 --> 00:28:55,160 In that locker there is a briefcase, and in the briefcase there is £60 ,000. 248 00:28:55,440 --> 00:28:57,480 I want you to give this key to Longley. 249 00:28:57,760 --> 00:28:58,760 I know. 250 00:29:00,060 --> 00:29:05,100 You will give that key to Longley now, and you will make absolutely sure that 251 00:29:05,100 --> 00:29:09,340 understands that the money in the locker is from Sebastian Stafford in full and 252 00:29:09,340 --> 00:29:12,400 final payment of all outstanding debts. You will not... 253 00:29:12,670 --> 00:29:15,470 Mention me under any circumstances, don't you? 254 00:29:16,310 --> 00:29:21,090 If you touch one penny of that money, I swear to you that Longley will know that 255 00:29:21,090 --> 00:29:22,290 you double -crossed him. 256 00:30:05,950 --> 00:30:07,910 You told me you were alone. 257 00:30:08,570 --> 00:30:10,810 Aidan Finnegan was with you that night. 258 00:30:12,030 --> 00:30:13,970 You fled the country. 259 00:30:14,570 --> 00:30:16,330 Now, I'd like a bit of cooperation. 260 00:30:18,190 --> 00:30:22,170 You can have a solicitor present if you want, but I need a statement from you 261 00:30:22,170 --> 00:30:24,630 telling me everything you know. 262 00:30:28,780 --> 00:30:32,720 Locker number 18 at the railway station contains £60 ,000. 263 00:30:42,140 --> 00:30:43,220 Longly hired money. 264 00:30:48,780 --> 00:30:49,780 Recognise him? 265 00:30:50,540 --> 00:30:51,540 No. 266 00:30:54,060 --> 00:30:55,160 Time for that statement. 267 00:30:56,490 --> 00:30:59,610 I have photographs of the stolen cameras. I have his telephone number. 268 00:31:01,150 --> 00:31:03,490 All I have to do now is set up the meeting. 269 00:31:18,350 --> 00:31:19,410 You're lucky to be alive. 270 00:31:24,330 --> 00:31:26,010 Your Mr. Bryant is Brian Gavin. 271 00:31:28,470 --> 00:31:29,470 Know him? 272 00:31:31,290 --> 00:31:33,190 No. That's Michael Longley. 273 00:31:33,790 --> 00:31:37,150 You know, the fact that Gavin is touting the canvas around by himself suggests 274 00:31:37,150 --> 00:31:41,450 to me that he's gone behind Longley's back, which is very foolish of him. 275 00:31:42,510 --> 00:31:45,650 I've been after Michael Longley for four years. 276 00:31:46,830 --> 00:31:49,810 He's a thief and a murderer. He's never been convicted of anything. 277 00:31:51,950 --> 00:31:55,090 I pulled him in two days ago after that attack on Sebastian Stafford. 278 00:31:56,390 --> 00:32:00,330 When he was leaving, he spoke to me for the first time ever. 279 00:32:01,410 --> 00:32:03,310 He told me he knew where I lived. 280 00:32:06,630 --> 00:32:08,250 That night I was in the shower. 281 00:32:10,210 --> 00:32:11,910 I heard my wife screaming. 282 00:32:13,810 --> 00:32:14,950 I ran downstairs. 283 00:32:17,150 --> 00:32:18,590 I found her in the front room. 284 00:32:20,200 --> 00:32:25,040 She'd been about to draw the curtain. She saw a man standing outside, just 285 00:32:25,040 --> 00:32:26,040 staring in at her. 286 00:32:27,820 --> 00:32:28,900 She was so scared. 287 00:32:31,840 --> 00:32:35,400 That same night we moved her and the children to a safe house miles away from 288 00:32:35,400 --> 00:32:36,400 Dublin. 289 00:32:40,000 --> 00:32:41,380 I want my family back. 290 00:32:47,940 --> 00:32:49,340 There's two ways we can do this. 291 00:32:50,590 --> 00:32:51,990 Brian Gavin doesn't know me. 292 00:32:52,850 --> 00:32:57,410 You set up that meeting in London between the three of us. 293 00:32:57,830 --> 00:33:01,990 You introduced me as a dealer. No, he'd never buy that. 294 00:33:02,550 --> 00:33:05,770 Or you go it alone. 295 00:33:22,570 --> 00:33:25,630 Mr. Bryant, this is Magdalena Krasinska. 296 00:33:27,030 --> 00:33:31,410 I have studied the photographs and I am prepared to pay you £30 ,000. 297 00:33:32,310 --> 00:33:38,610 The figure is not negotiable, but you will appreciate it significantly more 298 00:33:38,610 --> 00:33:39,970 you will receive from anyone else. 299 00:33:41,270 --> 00:33:42,810 I will be in London tomorrow. 300 00:34:23,370 --> 00:34:24,570 It's been paid. 301 00:34:26,290 --> 00:34:27,370 You're in the clear. 302 00:34:29,610 --> 00:34:30,610 Thank you. 303 00:34:32,929 --> 00:34:34,230 Well, how is it there? 304 00:34:34,469 --> 00:34:35,469 It's great. 305 00:34:36,250 --> 00:34:42,210 There's the board games, telegraph crossword, but there's a good pup within 306 00:34:42,210 --> 00:34:43,210 walking distance. 307 00:34:44,670 --> 00:34:46,330 You mind yourself okay? 308 00:34:46,730 --> 00:34:48,710 Yeah, I will. 309 00:34:49,630 --> 00:34:50,850 I do love you, Seb. 310 00:35:58,629 --> 00:36:00,110 Maggie, you're sure about this? 311 00:36:01,850 --> 00:36:02,850 No. 312 00:36:03,490 --> 00:36:04,670 But I'm going to do it anyway. 313 00:36:25,420 --> 00:36:26,420 Thank you. 314 00:37:21,230 --> 00:37:22,230 Excuse me, Father. 315 00:37:22,530 --> 00:37:24,350 There's a telephone call for you at reception. 316 00:37:47,960 --> 00:37:49,520 Magdalena Krasinska. It's brilliant. 317 00:37:50,560 --> 00:37:52,460 I'm in room 305. 318 00:37:52,940 --> 00:37:56,460 I want the painting where I can see it from the corridor. I will not enter the 319 00:37:56,460 --> 00:37:57,720 room unless I can see the painting. 320 00:37:58,340 --> 00:38:00,920 At no time will anyone come between me and the door. 321 00:38:02,300 --> 00:38:03,300 Come up now. 322 00:39:17,020 --> 00:39:19,620 Do not disturb. 323 00:40:40,140 --> 00:40:41,140 Yeah, please. 324 00:40:43,200 --> 00:40:44,200 Come on. 325 00:40:57,040 --> 00:40:59,300 Yeah. I don't know where I am. 326 00:40:59,980 --> 00:41:03,160 I'm Fagin. F -A -G -I -N. I'm a detective from Ireland. 327 00:41:04,420 --> 00:41:05,560 No, I'm not joking. 328 00:42:44,560 --> 00:42:45,560 You told the canvas? 329 00:42:46,340 --> 00:42:49,980 Yeah. Do you not realize what damage you might have caused to the surface of the 330 00:42:49,980 --> 00:42:50,980 painting? 331 00:42:51,800 --> 00:42:52,800 Show me, Mimouni. 332 00:42:53,520 --> 00:42:55,280 I want to see the canvas first. 333 00:43:08,620 --> 00:43:09,620 Mimouni. 334 00:43:10,380 --> 00:43:11,380 One moment. 335 00:43:31,630 --> 00:43:32,750 Give me my money. 336 00:43:54,810 --> 00:43:55,810 We have a deal. 337 00:43:56,930 --> 00:43:58,530 You may take your money and go. 338 00:44:01,550 --> 00:44:03,610 I will call for a taxi to take myself home. 339 00:45:14,890 --> 00:45:16,050 I've no quarrel with you. 340 00:45:17,130 --> 00:45:19,290 But keep your mouth shut and you won't come to any harm. 341 00:46:46,350 --> 00:46:47,350 Thank you very much. 342 00:47:42,160 --> 00:47:43,400 Delivery for Mr. Stafford. 343 00:47:46,680 --> 00:47:49,080 Behind the sofa on the right -hand side. 344 00:47:49,360 --> 00:47:50,279 I've just remembered. 345 00:47:50,280 --> 00:47:51,880 What? Red wine. 346 00:48:04,000 --> 00:48:05,020 Mr. Stafford. 347 00:48:05,600 --> 00:48:06,880 I came for you. 348 00:48:56,800 --> 00:48:57,800 Hello? Maggie? 349 00:48:58,580 --> 00:48:59,580 Sam. 350 00:49:00,520 --> 00:49:01,840 Something strange has happened. 351 00:49:02,840 --> 00:49:04,120 I've been sent a drawing. 352 00:49:05,520 --> 00:49:06,940 Sebastian shot with arrows. 353 00:49:07,960 --> 00:49:10,840 Who sent it? No address, no postmark. 354 00:49:11,860 --> 00:49:13,140 It was delivered to you? 355 00:49:14,320 --> 00:49:15,320 Yes. 356 00:49:16,780 --> 00:49:18,700 I think it's from Antonio Causa. 357 00:49:19,940 --> 00:49:23,140 Look, someone must have read about the attack in the newspaper and sent it. 358 00:49:23,160 --> 00:49:24,700 That's just some kind of sick joke. 359 00:49:26,600 --> 00:49:27,680 How does he know I'm here? 360 00:49:29,400 --> 00:49:30,400 I don't know. 361 00:49:31,880 --> 00:49:34,680 Listen, Seb, you're fine. 362 00:49:35,280 --> 00:49:38,060 Whatever it was, you're through it. It's over. 363 00:49:39,780 --> 00:49:42,580 We fly from Gatwick tomorrow morning, nine o 'clock. 364 00:49:44,100 --> 00:49:45,100 And we're home. 365 00:49:46,680 --> 00:49:48,340 Darling, Longley's in prison. 366 00:49:49,460 --> 00:49:50,720 It's just a picture. 367 00:49:52,160 --> 00:49:54,180 I've seen this Saint Sebastian before. 368 00:49:55,690 --> 00:49:56,690 And father's film. 369 00:49:59,210 --> 00:50:00,870 I wonder if it's worth anything. 370 00:50:03,810 --> 00:50:04,830 Finish your packing. 371 00:50:05,750 --> 00:50:06,950 Love you. You too. 372 00:50:13,770 --> 00:50:15,090 He was sent a drawing. 373 00:50:15,950 --> 00:50:18,710 With Sebastian with the arrows. He thinks it was Causa. 374 00:50:20,590 --> 00:50:23,750 Who the hell would do that? 375 00:50:25,550 --> 00:50:27,130 And that was how he was supposed to die. 376 00:50:29,090 --> 00:50:30,490 Yeah, but he didn't die, did he? 377 00:50:31,550 --> 00:50:33,030 But neither did Saint Sebastian. 378 00:50:37,710 --> 00:50:41,250 Saint Sebastian survived being shot by arrows, and when he reaffirmed his 379 00:50:41,350 --> 00:50:42,350 he was beaten to death. 380 00:51:06,670 --> 00:51:10,590 My dear Maggie, it's very beautiful here. 381 00:51:11,970 --> 00:51:14,510 Very English, but very beautiful. 382 00:51:16,710 --> 00:51:18,050 I love gardens. 383 00:51:19,430 --> 00:51:21,430 Strangely, I feel better than I felt in age. 384 00:51:24,690 --> 00:51:28,610 Oh. The phone. 385 00:51:29,750 --> 00:51:31,450 Blackstone House, Caroline speaking. 386 00:51:31,690 --> 00:51:35,210 How may I help you? Put me through to Sebastian Stafford's room, please. 387 00:52:00,590 --> 00:52:01,590 Did you see him go out? 388 00:52:01,730 --> 00:52:05,370 Yes. Then would you send someone up to his room, please? 389 00:52:05,970 --> 00:52:12,950 Send someone up. Do you... Do you hear me? I want to know that someone is 390 00:52:12,950 --> 00:52:14,170 going up to his room now. 391 00:52:15,130 --> 00:52:21,270 How many kinds of sweet flowers grow in an English country garden? 392 00:52:23,210 --> 00:52:27,030 I'll tell you now of some that I know and those I miss. 393 00:52:27,550 --> 00:52:29,310 You'll surely pardon. 394 00:52:33,230 --> 00:52:37,210 Dum -de -dum, dum -de -dum, dum -de -dum -de -dum -de -dum. 395 00:52:38,370 --> 00:52:43,350 Gentle lupins, tall hollyhocks, roses, foxgloves, too. 396 00:52:44,090 --> 00:52:45,970 They're better than none of them. 397 00:53:18,500 --> 00:53:20,900 Countryside here is very different from our beloved island. 398 00:53:22,040 --> 00:53:25,520 But I have found some wild thyme, rock rose and a bee orchid. 399 00:53:26,860 --> 00:53:32,420 I enclose a sprig of wild thyme in honour of all our wild times. 400 00:55:25,200 --> 00:55:26,200 It's okay 401 00:56:50,600 --> 00:56:51,600 The police gave me this. 402 00:56:54,460 --> 00:56:56,120 Bastion was writing it for you. 403 00:57:18,890 --> 00:57:22,110 I didn't tell you everything about the film I found that was taken from me. 404 00:57:22,990 --> 00:57:28,030 In the same garden in Italy, where the painting stood, this film of an old man. 405 00:57:28,990 --> 00:57:32,230 It looks as though he's sleeping in a chair, his head on his chest. 406 00:57:33,570 --> 00:57:35,110 But there's something odd about it. 407 00:57:36,410 --> 00:57:41,410 As the camera moves in, it suddenly cuts as if someone had stopped the filming. 408 00:57:43,770 --> 00:57:47,870 I think that Antonio Causa is the young man who was intimate with my father. 409 00:57:48,910 --> 00:57:53,550 That the elderly man in the garden is Agostino Salerno, the original owner of 410 00:57:53,550 --> 00:57:54,550 the paintings. 411 00:57:57,530 --> 00:58:02,310 For nearly 50 years, this man, Causa, sent the canvases to maintain some sort 412 00:58:02,310 --> 00:58:03,390 control over Charles. 413 00:58:06,010 --> 00:58:08,470 So how did this man, Causa, know all these things? 414 00:58:10,530 --> 00:58:12,870 Charles? The Irish newspapers? 415 00:58:13,770 --> 00:58:16,710 Wouldn't have been so difficult to find out. So why the Judas? 416 00:58:20,970 --> 00:58:21,970 Have you told the police? 417 00:58:22,250 --> 00:58:23,510 Yeah, I gave the police his name. 418 00:58:25,790 --> 00:58:28,710 You know, Seb had all these notes. They were taken from him when he was 419 00:58:28,710 --> 00:58:29,710 attacked. 420 00:58:31,190 --> 00:58:33,550 Oh, God, if only he hadn't written to them. 421 00:58:34,970 --> 00:58:37,950 But that must be the reason why Charles didn't sell them, because there would 422 00:58:37,950 --> 00:58:40,710 have been questions asked, wouldn't there, of where he got them from, how 423 00:58:40,710 --> 00:58:41,710 acquire them? 424 00:58:42,970 --> 00:58:46,390 Why would a man who spent the whole of the war trying to preserve works of art 425 00:58:46,390 --> 00:58:47,770 then try and destroy them? 426 00:58:59,560 --> 00:59:01,820 happened in Italy cost them both their lives. 427 00:59:08,100 --> 00:59:12,200 To a fine holiday companion and map reader. 428 00:59:13,160 --> 00:59:17,520 To a man with an unparalleled gift for the cello. 429 00:59:18,040 --> 00:59:24,600 Violin. A man who could get notes from the violin that 430 00:59:24,600 --> 00:59:26,780 only dogs could hear. 431 00:59:28,560 --> 00:59:29,560 A good friend. 432 00:59:29,720 --> 00:59:33,740 Yeah. A man who really, really chose his friends well. 433 00:59:34,420 --> 00:59:35,880 Because she's boyfriend. 434 00:59:36,220 --> 00:59:37,220 Mm -hmm. 435 01:00:39,020 --> 01:00:42,820 I leave everything such as it is to Magdalene Sheridan. 436 01:00:43,940 --> 01:00:46,140 She may dispose of it as she sees fit. 437 01:00:47,160 --> 01:00:52,760 If the house is to be sold, I should like the family remains to be cremated 438 01:00:52,760 --> 01:00:56,200 the ashes scattered to the winds as a sally gap in the Wicklow Mountains. 439 01:00:58,380 --> 01:01:05,240 I should like to add that if I am reincarnated, I ask only that I am a 440 01:01:05,240 --> 01:01:10,080 straight... And B, that my formal proposal of marriage be accepted. 441 01:04:20,360 --> 01:04:22,240 James, you've given me a throne of some interesting stuff. 442 01:04:23,300 --> 01:04:27,500 There's a house, a villa near Salerno that since the war has fallen into 443 01:04:27,500 --> 01:04:28,500 complete decay. 444 01:04:29,060 --> 01:04:34,780 The Fondo Perlambiente Italiano. It's like your national trust. They took it 445 01:04:34,780 --> 01:04:35,780 over. 446 01:04:36,100 --> 01:04:41,380 Since restoring it, they've investigated the former owner, Agostino Salerno. 447 01:04:43,140 --> 01:04:44,700 They came up with some odd things. 448 01:04:45,860 --> 01:04:47,040 No death certificate. 449 01:04:47,700 --> 01:04:49,040 No last will or testament. 450 01:04:51,210 --> 01:04:55,790 And no trace of paintings that were once part of the Salerno collection, which 451 01:04:55,790 --> 01:05:01,390 included a very nice Rubens, all sold for a pittance to one Antonio Cosa. 452 01:05:03,230 --> 01:05:07,750 Now they and the Italian police were intrigued to read this article in the 453 01:05:07,750 --> 01:05:11,930 Times about the Glencree paintings, suggesting that Sir Charles Stafford had 454 01:05:11,930 --> 01:05:16,050 acquired the paintings over a number of years from Antonio Cosa. 455 01:05:17,640 --> 01:05:22,600 Their records show that Antonio Causa was reported missing, presumed dead in 456 01:05:22,600 --> 01:05:23,600 1945. 457 01:05:25,040 --> 01:05:28,220 At the time of his death, he was working for the Allied Forces as an interpreter 458 01:05:28,220 --> 01:05:30,560 on the Monuments Operation. 459 01:05:33,520 --> 01:05:34,880 Where he met Charles. 460 01:05:37,180 --> 01:05:43,080 Now, according to U .S. Customs and Excise, Roberto Tassi arrived in New 461 01:05:43,080 --> 01:05:44,080 1946. 462 01:05:44,940 --> 01:05:46,580 Paper's perfectly in order. 463 01:05:50,880 --> 01:05:51,880 Look. 464 01:05:52,960 --> 01:05:54,100 Look at the significance. 465 01:05:55,900 --> 01:05:59,720 Causa is Tassie. That's not at all conclusive. 466 01:06:02,640 --> 01:06:06,460 Antonio Causa and Roberto Tassie are the same man. 467 01:06:06,700 --> 01:06:08,720 I'm not disagreeing with you, Maggie. 468 01:06:09,040 --> 01:06:10,900 That's just not sufficient proof. 469 01:06:12,700 --> 01:06:15,820 Now, Robert Tassie has been under investigation for some time. 470 01:06:17,070 --> 01:06:20,470 For a while now he's been suspected of dealing in the occasional stolen 471 01:06:20,470 --> 01:06:21,470 painting. 472 01:06:21,970 --> 01:06:27,850 U .S. Customs and Excise are keen to use anything or anyone to bring Robert 473 01:06:27,850 --> 01:06:28,850 Tassie to book. 474 01:06:30,150 --> 01:06:32,110 Apparently he trusts very few people. 475 01:06:54,760 --> 01:06:55,760 I have to take the Judas. 476 01:06:56,560 --> 01:06:58,840 Why? To bait the trap. 477 01:06:59,540 --> 01:07:01,260 But we'll never get an export license. 478 01:07:03,340 --> 01:07:04,340 We'll smuggle it. 479 01:07:27,530 --> 01:07:28,530 Thank you. 480 01:08:13,120 --> 01:08:16,080 My name is Magdalena Krajinska. 481 01:08:17,319 --> 01:08:19,240 Countess Magdalena Krajinska. 482 01:08:20,640 --> 01:08:25,300 You are Maggie Sheridan. I have your albums. I'm a big fan of yours. 483 01:08:26,170 --> 01:08:29,510 But I'm afraid I cannot allow you into the United States. This is absurd. 484 01:08:30,250 --> 01:08:31,790 I have never heard of this person. 485 01:08:32,490 --> 01:08:35,490 I'm here on business. I am a dealer in Pinar. 486 01:08:36,149 --> 01:08:37,170 I'm pleased for you. 487 01:08:38,109 --> 01:08:42,170 But drug offenses in 1983 and 1984 mean I cannot let you in. 488 01:08:43,210 --> 01:08:44,529 Okay, Jack. Leave it to me. 489 01:08:51,270 --> 01:08:52,930 You made me promise to get your autograph. 490 01:09:54,860 --> 01:09:56,820 The canvas will be delivered here. 491 01:09:57,640 --> 01:10:01,220 It's used as a warehouse by a firm importing antiques from Eastern Europe. 492 01:10:03,020 --> 01:10:07,740 As far as Roberto Tassi is concerned, you use this place when you want to 493 01:10:07,740 --> 01:10:09,940 a painting into the United States illegally. 494 01:10:10,700 --> 01:10:13,020 Mr. Tassi is at his gallery right now. 495 01:10:13,720 --> 01:10:17,980 When you arrive at your hotel room, I want you to telephone him and arrange 496 01:10:17,980 --> 01:10:19,100 dinner for tomorrow evening. 497 01:10:20,140 --> 01:10:23,600 I will approach during dinner. You will then invite me to join you both. 498 01:10:24,160 --> 01:10:25,160 and we'll talk. 499 01:10:25,660 --> 01:10:30,120 At some point, you should say that you have a canvas that might interest us, a 500 01:10:30,120 --> 01:10:33,900 canvas that you'd like us both to see, and then you'll bring us here. 501 01:10:36,940 --> 01:10:39,940 Now, there are video cameras set up that'll record everything. 502 01:10:40,560 --> 01:10:42,280 You and I both will be wearing a wire. 503 01:10:42,960 --> 01:10:47,080 I will make you an offer on the canvas, knowing Tassie will probably improve on 504 01:10:47,080 --> 01:10:48,080 it. 505 01:10:48,270 --> 01:10:52,870 We must record him agreeing to purchase the Glen Cree Judith from you in the 506 01:10:52,870 --> 01:10:54,270 knowledge that it is stolen. 507 01:10:54,610 --> 01:10:55,610 Do you understand? 508 01:10:56,510 --> 01:11:01,390 Yes. You will then excuse yourself and go to the bathroom. Beyond those doors, 509 01:11:01,510 --> 01:11:02,590 you'll be met by agents. 510 01:11:03,630 --> 01:11:05,970 I will then arrest Senor Tassi. 511 01:11:07,070 --> 01:11:08,430 Is that clear? 512 01:11:09,730 --> 01:11:10,730 Yeah. 513 01:11:13,930 --> 01:11:15,070 Time to make that call. 514 01:12:00,390 --> 01:12:03,310 This is the Countess Krasinska. Could I speak to Roberto Tassi, please? 515 01:12:25,630 --> 01:12:28,910 Magdalena, I feel so lonely in the city without you. 516 01:12:29,870 --> 01:12:31,290 I'm wishing my life away. 517 01:12:32,250 --> 01:12:37,610 Everything I do or think or feel is colored by you, by the memory of our 518 01:12:37,610 --> 01:12:38,610 together. 519 01:12:40,010 --> 01:12:42,790 It is you I have waited for all my life. 520 01:12:43,830 --> 01:12:45,030 Come to New York. 521 01:12:46,070 --> 01:12:47,070 Rescue me. 522 01:12:48,410 --> 01:12:49,410 Save me. 523 01:13:21,130 --> 01:13:22,230 He should get some sleep. 524 01:13:28,870 --> 01:13:30,590 What will he be charged with? 525 01:13:32,390 --> 01:13:33,490 Handling stolen goods. 526 01:13:34,350 --> 01:13:35,350 Murder? 527 01:13:37,430 --> 01:13:38,430 Maybe. 528 01:13:42,510 --> 01:13:44,690 You know, the way to do these things is always the same. 529 01:13:45,770 --> 01:13:47,590 Get the first building block in place. 530 01:13:48,790 --> 01:13:49,790 Build a case. 531 01:13:50,080 --> 01:13:51,080 Take it from there. 532 01:15:01,060 --> 01:15:02,780 Can I come in? 533 01:15:31,940 --> 01:15:33,140 Have you used one of these before? 534 01:15:34,920 --> 01:15:35,920 Yes. 535 01:15:38,240 --> 01:15:40,820 If you're in any kind of trouble, that's not going to help solve it. 536 01:15:42,560 --> 01:15:45,720 Now, it's registered in my name, so as soon as you leave here, I'm going to 537 01:15:45,720 --> 01:15:46,920 the police and say it's been stolen. 538 01:15:47,440 --> 01:15:48,440 Do you understand? 539 01:15:49,400 --> 01:15:50,400 Yes. 540 01:15:52,720 --> 01:15:53,740 Am I going to regret this? 541 01:15:54,820 --> 01:15:55,820 I don't know. 542 01:15:57,380 --> 01:15:58,720 Thank you very much. Eddie? 543 01:16:01,610 --> 01:16:03,030 You've got company. I'd better go. 544 01:16:04,930 --> 01:16:06,290 No contest, Contessa. 545 01:17:33,960 --> 01:17:34,960 She'll be here. 546 01:17:47,200 --> 01:17:48,960 Where the hell have you been? 547 01:17:49,560 --> 01:17:51,740 You're meeting him in half an hour. 548 01:17:52,360 --> 01:17:55,900 Look, Maggie, this is not a game. 549 01:18:52,960 --> 01:18:53,960 Taffy is right. 550 01:18:55,880 --> 01:18:57,100 They want you to wear this. 551 01:18:57,760 --> 01:18:58,760 It's a microphone. 552 01:19:13,960 --> 01:19:15,320 Right, I'll go. 553 01:19:16,500 --> 01:19:17,500 Just be careful. 554 01:19:28,620 --> 01:19:30,500 Do you, uh, mind saying something, ma 'am? 555 01:19:34,100 --> 01:19:35,280 How now, Bronco? 556 01:19:36,380 --> 01:19:37,880 It's been electronically tagged. 557 01:20:30,220 --> 01:20:31,220 You came. 558 01:20:33,120 --> 01:20:34,120 Yeah. 559 01:20:47,080 --> 01:20:48,620 I thought of you so much. 560 01:20:58,240 --> 01:20:59,240 Cover the back. 561 01:21:23,230 --> 01:21:24,870 I don't want you to be the guest again. 562 01:21:26,450 --> 01:21:27,450 Why? 563 01:21:27,890 --> 01:21:28,970 We should work together. 564 01:21:31,180 --> 01:21:33,020 You know nothing about me. 565 01:21:33,720 --> 01:21:37,800 You're beautiful, but you're not entirely honest. 566 01:21:41,440 --> 01:21:42,660 The Countess? 567 01:21:44,500 --> 01:21:45,520 She's a fake. 568 01:21:53,460 --> 01:21:54,660 You didn't eat? 569 01:21:58,120 --> 01:22:00,220 Why did you pay so much for her? 570 01:22:04,620 --> 01:22:05,660 She brought you to me. 571 01:22:08,180 --> 01:22:09,960 I have something for you. 572 01:22:11,240 --> 01:22:12,240 A painting? 573 01:22:15,280 --> 01:22:16,280 Show it to me. 574 01:22:21,960 --> 01:22:23,140 Introduce me. Rachel. 575 01:22:23,380 --> 01:22:24,380 Now. 576 01:22:27,380 --> 01:22:28,380 Celtus. 577 01:22:53,540 --> 01:22:54,540 Countess? Miss Edgar? 578 01:22:55,500 --> 01:22:56,580 Stephen Magnuson. 579 01:22:56,800 --> 01:22:59,960 We met him wrong last year. Oh, yes, yes, of course. How nice to see you 580 01:23:00,460 --> 01:23:01,800 Well, will you excuse us? 581 01:23:04,280 --> 01:23:05,280 Countess. 582 01:23:08,560 --> 01:23:10,060 I've still got her in the bathroom. 583 01:23:13,980 --> 01:23:17,040 What is it? She looks like 40 miles of bad roads. 584 01:23:17,260 --> 01:23:18,720 How many facelifts has she had? 585 01:23:19,000 --> 01:23:20,000 Check the toilets. 586 01:23:23,760 --> 01:23:26,700 Let's not talk about hips. Just because you don't even have hips. 587 01:23:27,620 --> 01:23:30,960 Excuse me. Do you mind? This is the ladies' room. 588 01:23:31,180 --> 01:23:32,500 May I help you? 589 01:23:33,980 --> 01:23:36,180 She stitched it. She stitched the wire. 590 01:23:41,420 --> 01:23:47,220 Where'd she... 591 01:23:54,000 --> 01:23:55,000 We lost them. 592 01:24:23,530 --> 01:24:25,150 Maggie, what are you doing? 593 01:24:59,000 --> 01:25:00,920 Artemis, goddess of the hunt. 594 01:25:04,480 --> 01:25:05,720 Go in on the canvas. 595 01:25:49,260 --> 01:25:52,340 If I had a painting delivered here, where would it be? 596 01:25:55,060 --> 01:25:56,060 This way. 597 01:26:06,800 --> 01:26:07,800 Someone? 598 01:26:49,610 --> 01:26:51,210 I need a bowl and some water. 599 01:26:53,250 --> 01:26:54,470 At your service, madam. 600 01:27:48,650 --> 01:27:50,390 You constantly surprise me. 601 01:29:20,650 --> 01:29:22,330 by Artemisia Gentileschi. 602 01:29:25,010 --> 01:29:27,050 Painted when she was a girl of 18. 603 01:29:28,230 --> 01:29:30,810 A girl who was being repeatedly raped. 604 01:29:31,630 --> 01:29:36,630 When they tested her evidence in court, they used thumb screws on her painter's 605 01:29:36,630 --> 01:29:41,210 hands. She shouted at the rapist, this is the ring and these are the promises 606 01:29:41,210 --> 01:29:42,210 you gave me. 607 01:29:42,630 --> 01:29:45,110 The name of the rapist was Tassie. 608 01:29:49,250 --> 01:29:50,250 Your name. 609 01:29:53,640 --> 01:29:55,960 The name Antonio Causa took. 610 01:30:05,420 --> 01:30:07,960 Charles Stafford was the only father I ever knew. 611 01:30:10,800 --> 01:30:13,440 You persecuted him. You made him live in fear. 612 01:30:15,880 --> 01:30:18,120 And then you killed his only son. 613 01:30:22,660 --> 01:30:23,660 What's your name? 614 01:30:26,900 --> 01:30:27,900 Maggie. 615 01:30:35,300 --> 01:30:36,300 Maggie Sheridan. 616 01:30:37,700 --> 01:30:40,080 And you are Antonio Causa. 617 01:30:43,040 --> 01:30:44,040 A murderer. 618 01:30:46,580 --> 01:30:48,300 You look at me, I see the devil. 619 01:30:48,840 --> 01:30:49,840 I'm not. 620 01:30:50,940 --> 01:30:51,940 You judge me. 621 01:30:53,040 --> 01:30:55,900 But you don't know what happened, what it was like. 622 01:30:58,600 --> 01:31:00,540 My city was destroyed by bombing. 623 01:31:01,960 --> 01:31:03,920 There was no water, nothing to eat. 624 01:31:04,940 --> 01:31:06,340 I was fighting the Germans. 625 01:31:07,340 --> 01:31:08,460 I was just a kid. 626 01:31:10,660 --> 01:31:14,440 I bought food for my family on the black market by selling my body. 627 01:31:17,000 --> 01:31:18,000 I met Charles. 628 01:31:23,980 --> 01:31:26,000 He took me to the villa of Agostino Salerno. 629 01:31:27,880 --> 01:31:29,420 I've never seen such things. 630 01:31:31,400 --> 01:31:33,060 Paintings, works of art. 631 01:31:35,100 --> 01:31:37,140 All for one man, Salerno. 632 01:31:40,980 --> 01:31:42,160 I had to have them. 633 01:31:44,300 --> 01:31:48,000 So I took him into the garden, tied him to a chair. 634 01:31:57,800 --> 01:31:59,260 Until he gave me the paintings for nothing. 635 01:31:59,660 --> 01:32:00,660 A few dollars. 636 01:32:09,080 --> 01:32:13,540 Then threw his body onto a pile of rubble where he trotted alongside 637 01:32:13,540 --> 01:32:14,540 others. 638 01:32:15,280 --> 01:32:16,280 Women, children. 639 01:32:17,240 --> 01:32:18,240 We? 640 01:32:22,200 --> 01:32:23,500 You want to know about Charles? 641 01:32:24,100 --> 01:32:25,140 What part he played? 642 01:32:26,770 --> 01:32:27,770 Yes. 643 01:32:28,170 --> 01:32:31,330 He helped me and said nothing. 644 01:32:35,050 --> 01:32:39,930 When the army moved north, I sold my first painting. 645 01:32:41,410 --> 01:32:42,790 And we traveled together. 646 01:32:44,470 --> 01:32:45,970 Everywhere was in ruin. 647 01:32:46,690 --> 01:32:49,610 We witnessed the destruction of Italy together. 648 01:32:50,630 --> 01:32:53,190 In Florence, I lost him. 649 01:32:53,690 --> 01:32:55,170 Even in love with a woman. 650 01:32:55,530 --> 01:32:56,550 With Barbara. 651 01:33:08,400 --> 01:33:09,400 Only Charles knew. 652 01:33:13,480 --> 01:33:15,300 So I sent the Judith to Ireland. 653 01:33:18,900 --> 01:33:21,740 This Judith, his wedding present. 654 01:33:23,140 --> 01:33:27,680 I always knew when he would be vulnerable, when events would make him 655 01:33:27,680 --> 01:33:28,680 confess. 656 01:33:29,540 --> 01:33:31,720 Father wrote the death of a child. 657 01:33:33,460 --> 01:33:36,000 Then I sent him the other paintings, like postcards. 658 01:33:36,980 --> 01:33:38,360 Remind us of our past. 659 01:33:39,360 --> 01:33:41,320 Of Salerno's agony in the garden. 660 01:33:44,460 --> 01:33:45,920 Why did you kill Sebastian? 661 01:33:52,680 --> 01:33:53,680 For you. 662 01:33:56,700 --> 01:33:59,340 You made love to me. To Robert Darcy. 663 01:33:59,560 --> 01:34:02,420 I could not let cows return. 664 01:34:03,080 --> 01:34:06,280 I could not let the past destroy the only good thing that happened to me. 665 01:34:06,280 --> 01:34:09,340 friend Sebastian had to die so Tassie could live. 666 01:34:09,760 --> 01:34:10,760 I did it for you. 667 01:34:13,720 --> 01:34:14,120 You 668 01:34:14,120 --> 01:34:21,280 asked 669 01:34:21,280 --> 01:34:22,280 me to save you. 670 01:34:24,080 --> 01:34:25,400 No one can save you. 671 01:34:39,880 --> 01:34:40,880 Who is it? 672 01:35:21,130 --> 01:35:24,530 Maggie! Maggie Sheridan! Maggie Sheridan! 673 01:36:37,040 --> 01:36:43,680 If I feel your touch, if I feel your touch in the 674 01:36:43,680 --> 01:36:44,680 night